<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>THE PIANIST.COM - making pianists feel at home &#187; practice</title>
	<atom:link href="http://www.thepianist.com/tag/practice/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.thepianist.com</link>
	<description>A journey in the world of pianists, musicians, composers who changed our lives and times - Written by Italian pianist Roberta Pili</description>
	<lastBuildDate>Wed, 07 Sep 2011 22:07:01 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Arturo Benedetti Michelangeli  &#8211; 1920-1995</title>
		<link>http://www.thepianist.com/2008/12/arturo-benedetti-michelangeli-1920-1995/</link>
		<comments>http://www.thepianist.com/2008/12/arturo-benedetti-michelangeli-1920-1995/#comments</comments>
		<pubDate>Sun, 14 Dec 2008 09:57:47 +0000</pubDate>
		<dc:creator>Roberta Pili</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Arturo]]></category>
		<category><![CDATA[Bach]]></category>
		<category><![CDATA[Benedetti]]></category>
		<category><![CDATA[Brahms]]></category>
		<category><![CDATA[Busoni]]></category>
		<category><![CDATA[Michelangeli]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[practice]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Scarlatti]]></category>
		<category><![CDATA[sonata]]></category>
		<category><![CDATA[tone]]></category>
		<category><![CDATA[touch]]></category>

		<guid isPermaLink="false">http://www.thepianist.com/?p=183</guid>
		<description><![CDATA[Continuing in featuring great pianists among the “Immortals” we want to pay homage to another excellent, unique and inimitable artistic personality: Italian pianist Arturo Benedetti Michelangeli. What characterized the particular style of playing and interpretation that made Arturo Benedetti Michelangeli &#8230; <a href="http://www.thepianist.com/2008/12/arturo-benedetti-michelangeli-1920-1995/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Continuing in featuring great pianists among the “Immortals” we want to pay homage to another excellent, unique and inimitable artistic personality: Italian pianist Arturo Benedetti Michelangeli.</p>
<p>What characterized the particular style of playing and interpretation that made Arturo Benedetti Michelangeli so unforgettable?<br />
He was obsessed with technical perfection and totally exact reproduction of the score.<br />
His devotion to the music was incredibly deep, it is known that he spent hours and hours on his practicing sessions.<br />
I had my first impression of Benedetti Michelangeli when I was a student at the music conservatory of my home town Cagliari. My father told me a lot about this pianist, trying to motivate me to practice more like he did.<br />
I first listened to some of his recordings, I remember to be quite impressed about his Brahms-Paganini Variations and Bach-Busoni Chaconne. Later I literally admired his recording of Ravel Piano Concerto G Major and Rachmaninoff Piano Concerto G Minor No.4 Op.40.</p>
<p>I thought first that his interpretations were too polite, or even unemotional, because of the exact technique and perfection. But I was able to discover soon his real signature: his beautiful and incomparable singing tone.<br />
When playing a melodic phrase or a cantilena he let sing the piano, with his noble touch and his high-class art of making music.</p>
<p>Don´t forget that Benedetti Michelangeli had a deep knowledge of the instrument, he knew every detail about the piano action and he was rigorous in demanding a perfect calibration of the keyboard as well as accurate voicing. Those requirements about the piano are always necessary to grant a professional performance to a pianist, and that is what he also consequently did.</p>
<p>I wish I would have had the opportunity to hear him live, but it didn’t come to it, unfortunately. I can imagine how powerful and hypnotizing his performances have been for the audience. He was certainly an influential personality as a pianist and musician.<br />
By all means his spirit of total sacrifice to the music was exemplary and his being a pianist was more than a profession, it was his life.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.thepianist.com/2008/12/arturo-benedetti-michelangeli-1920-1995/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The pianist at Work</title>
		<link>http://www.thepianist.com/2008/11/the-pianist-at-work/</link>
		<comments>http://www.thepianist.com/2008/11/the-pianist-at-work/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 15:41:29 +0000</pubDate>
		<dc:creator>Roberta Pili</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Busoni]]></category>
		<category><![CDATA[Ferruccio]]></category>
		<category><![CDATA[finger]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[playing]]></category>
		<category><![CDATA[practice]]></category>
		<category><![CDATA[teacher]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://www.thepianist.com/?p=117</guid>
		<description><![CDATA[“I practice very industriously…” – Quote Ferruccio Busoni, Letters to his wife 1895-1907, London, Edward Arnold &#38; Co. http://www.rodoni.ch/busoni/bibliotechina/letteregerdaEN/gerdaEN1.html Do these words of Ferruccio Busoni sound familiar to you? They certainly do, especially if you are a pianist with your &#8230; <a href="http://www.thepianist.com/2008/11/the-pianist-at-work/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>“I practice very industriously…” – Quote Ferruccio Busoni, Letters to his wife 1895-1907, London, Edward Arnold &amp; Co. <a href="http://www.rodoni.ch/busoni/bibliotechina/letteregerdaEN/gerdaEN1.html">http://www.rodoni.ch/busoni/bibliotechina/letteregerdaEN/gerdaEN1.html<br />
</a><br />
Do these words of Ferruccio Busoni sound familiar to you? They certainly do, especially if you are a pianist with your heart and soul like Busoni was. He was the pianists´pianist, the musicians´musician. To be as good as he was, or at least if you want to play with his virtuosity and to have a profound knowledge about piano playing, you have to do only a simple thing: practice!</p>
<p>Oh my God, this terribly sounding word…our teachers threatened us with it, I am sure that the more your piano teacher repeated this word during the lessons, the less you wanted to do it.</p>
<p>I practiced up to seven hours a day during the time of my former music education, not only because my teachers said that, but also because I felt that spending many hours at the piano was necessary to get an appropriate technique.</p>
<p>However, practicing should not be just a matter of being a diligent student. If you consider your daily practice like a passionate exercising, you will be improving both your finger technique and your entire personal expression as a pianist.</p>
<p>Practice is the secret of being good in life.</p>
<p>If you repeat every day a task you are still not experienced with, you will be able to discover the strong power of practicing.</p>
<p>Practicing is repeating, repeating is learning, learning is living. And living is knowing more and more who you really are.</p>
<p>Maybe you are now fascinated by reading this and you want to know more about efficient piano playing.</p>
<p>But we will make a break now.</p>
<p>Do you know why?</p>
<p>Because we go practicing…</p>
]]></content:encoded>
			<wfw:commentRss>http://www.thepianist.com/2008/11/the-pianist-at-work/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

