Posts Tagged ‘ musician ’

When the pupil is ready for his master

It has been said that the best teacher always recognizes when his pupil is ready to learn something new.
In other words a really good teacher can be as good as his pupil is able to understand and to apply new knowledge upon particular topics related to the learning process.
As usual students are tending to model his master, whithout thinking about the quintessential purpose of those teaching methods.
But how long does it take to step further from the level of simple modeling to the consciousness of active learning and finally reaching at least the same level of the master? When are students ready to develop theirselves and become masters of their own, last but not least to even try to pursue the path which the master has shown?
Individuality, a strong personality, the power of determination are actually the main requisites to reach mastership.
Doubtless we are speaking here about a work-in-progress, during [...]



The Pianist’s Life With Music – A Work in Progress

Do you believe in coincidence? Or do you prefer to believe in a perfect master plan of the universe? Well, if you are reading this blog, it is probably not a coincidence. You just found this blog because you are making music. Maybe making music is the main component of your personal expression, maybe you are a music student, or music is your profession, either as a career or as a music teacher. Anyway, making music is the part of my life which drives me since my childhood.
Music is my life, this is the reason why I simply decided to be a pianist. But I don´t want to remain “just” a pianist.
Professional development as a pianist is as much essential as personal development in life. Remaining “just” a pianist would mean stopping at a certain stepping stone without considering a wider perspective of experience.
You should not find satisfaction as a [...]



The Art of Motivic Thorough-Composition Part I

Understanding the score: the precondition of musical interpretation
There are basically two types of musicians: the first ones declare their artistic Credo remaining true to the score, the others rather prefer to remain true to the musical masterwork. The first kind of musicians is strictly approaching the written notes. The score represents an indispensable fundament for the study and the examination of the composer´s work. To understand the composition means to capture exactly the text of the score, almost being obsessed with details. An analytic artist doesn´t question the written indications of the composer, as soon as the musical thought is put down on paper, the masterwork shows its perfection. The artist is not reflecting anymore, he just needs to achieve an accurate performance at the instrument to justify his exact study and faithfully approaching the score.
Sometimes this artist also makes use of additional helping methods for his meticulous analysis of [...]