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	<title>THE PIANIST.COM - making pianists feel at home &#187; Glenn</title>
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	<description>A journey in the world of pianists, musicians, composers who changed our lives and times - Written by Italian pianist Roberta Pili</description>
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		<title>Happy Birthday Glenn!</title>
		<link>http://www.thepianist.com/2009/09/happy-birthday-glenn/</link>
		<comments>http://www.thepianist.com/2009/09/happy-birthday-glenn/#comments</comments>
		<pubDate>Fri, 25 Sep 2009 16:14:01 +0000</pubDate>
		<dc:creator>Roberta Pili</dc:creator>
				<category><![CDATA[Cover]]></category>
		<category><![CDATA[birthday]]></category>
		<category><![CDATA[Glenn]]></category>
		<category><![CDATA[Gould]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[pianist]]></category>

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He was born on September 25, 1932.
If he still lived, he would celebrate today his 77th birthday.
Glenn Gould, a unique musical personality of the 20th century, one of the greatest pianists and a controversial figure, yet a remarkable thinker and philosopher regarding musical points of view and composing.
Doubtless this genius is still among us, we can feel his presence, especially when we listen to his unforgettable recordings&#8230;
Happy birthday Glenn!
One of Gould´s funniest moments of his creative streak &#8211; Scottish Rhapsody

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<p>He was born on September 25, 1932.<br />
If he still lived, he would celebrate today his 77th birthday.<br />
Glenn Gould, a unique musical personality of the 20th century, one of the greatest pianists and a controversial figure, yet a remarkable thinker and philosopher regarding musical points of view and composing.<br />
Doubtless this genius is still among us, we can feel his presence, especially when we listen to his unforgettable recordings&#8230;<br />
Happy birthday Glenn!</p>
<p><em><strong>One of Gould´s funniest moments of his creative streak &#8211; Scottish Rhapsody</strong><br />
</em></p>
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		<title>Sviatoslav Richter &#8211; 1915-1997</title>
		<link>http://www.thepianist.com/2009/09/sviatoslav-richter-1915-1997/</link>
		<comments>http://www.thepianist.com/2009/09/sviatoslav-richter-1915-1997/#comments</comments>
		<pubDate>Mon, 14 Sep 2009 12:30:35 +0000</pubDate>
		<dc:creator>Roberta Pili</dc:creator>
				<category><![CDATA[Featured pianists “The Immortals”]]></category>
		<category><![CDATA[Glenn]]></category>
		<category><![CDATA[Gould]]></category>
		<category><![CDATA[interpretation]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[Richter]]></category>
		<category><![CDATA[Sviatoslav]]></category>

		<guid isPermaLink="false">http://www.thepianist.com/?p=230</guid>
		<description><![CDATA[He was self-critical, self-demanding, objective in front of the music score and devoted to the audience.
Sviatoslav Richter represents one of the utmost exceptional figures in the pianists´history. His teacher, Heinrich Neuhaus, considered him as a &#8220;genius pupil&#8221;.
Doubtless he belongs to the generation of the greatest pianists in the past century.
His particular dedication to practice, building up his repertoire studying intensively several works of the piano literature, characterized his serious approach to the music.
Sometimes his performances have been criticized as &#8220;cold&#8221;, without the proper expression of feelings in the music.
But his intention was targeted at an execution of the composer´s work to the letter, he saw himself as an interpreter, being just between the composer´s message and the receiver &#8211; the audience.
He didn´t want to &#8220;recreate&#8221; the work, rather be captured and dissolved in the music.
Richter was enigmatic, a personality outside every normal path of musician. Probably, that´s why he gained [...]]]></description>
			<content:encoded><![CDATA[<p>He was self-critical, self-demanding, objective in front of the music score and devoted to the audience.<br />
Sviatoslav Richter represents one of the utmost exceptional figures in the pianists´history. His teacher, Heinrich Neuhaus, considered him as a &#8220;genius pupil&#8221;.<br />
Doubtless he belongs to the generation of the greatest pianists in the past century.<br />
His particular dedication to practice, building up his repertoire studying intensively several works of the piano literature, characterized his serious approach to the music.</p>
<p>Sometimes his performances have been criticized as &#8220;cold&#8221;, without the proper expression of feelings in the music.<br />
But his intention was targeted at an execution of the composer´s work to the letter, he saw himself as an interpreter, being just between the composer´s message and the receiver &#8211; the audience.<br />
He didn´t want to &#8220;recreate&#8221; the work, rather be captured and dissolved in the music.</p>
<p>Richter was enigmatic, a personality outside every normal path of musician. Probably, that´s why he gained his fame. </p>
<p>We don´t need to approve all his ideas and interpretations. Yet there are some performances of Sviatoslav Richter which are simply overwhelming and distinguish his charisma from other pianists.<br />
Even Glenn Gould praised him as &#8220;one of the most powerful communicators the world of music has produced in our time&#8221;.</p>
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		<title>Glenn Gould  &#8211; 1932-1982</title>
		<link>http://www.thepianist.com/2008/11/glenn-gould-1932-1982/</link>
		<comments>http://www.thepianist.com/2008/11/glenn-gould-1932-1982/#comments</comments>
		<pubDate>Tue, 18 Nov 2008 17:24:47 +0000</pubDate>
		<dc:creator>Roberta Pili</dc:creator>
				<category><![CDATA[Featured pianists “The Immortals”]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[Bach]]></category>
		<category><![CDATA[classical]]></category>
		<category><![CDATA[Glenn]]></category>
		<category><![CDATA[Goldberg]]></category>
		<category><![CDATA[Gould]]></category>
		<category><![CDATA[interpretation]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[piano]]></category>
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		<category><![CDATA[polyphony]]></category>
		<category><![CDATA[Variations]]></category>

		<guid isPermaLink="false">http://www.thepianist.com/?p=125</guid>
		<description><![CDATA[This column is dedicated to extraordinary personalities of the piano world. Great pianists of the past, sometimes remembered as “Immortals” or even “Legends” will be featured on this place.
It will be different from other portraits or features about those artists, it will be more like a portrait of pianists who deeply influenced and inspired other musicians and non-musicians.
Thepianist.com starts with Glenn Gould, the eccentric Canadian pianist who certainly set a milestone in the history of the piano and pianists.
A large source of information has been written, spoken, broadcasted about Glenn Gould.
It will not be necessary to put more information about him, as it is already available. And everybody knows that there are controversial opinions about his interpretations.
Let us simply remember Glenn as someone who wanted to change the old patterns of classical music, to bring more life in the masterworks of great composers, to suggest new and original approaches to [...]]]></description>
			<content:encoded><![CDATA[<p>This column is dedicated to extraordinary personalities of the piano world. Great pianists of the past, sometimes remembered as “Immortals” or even “Legends” will be featured on this place.<br />
It will be different from other portraits or features about those artists, it will be more like a portrait of pianists who deeply influenced and inspired other musicians and non-musicians.</p>
<p>Thepianist.com starts with Glenn Gould, the eccentric Canadian pianist who certainly set a milestone in the history of the piano and pianists.</p>
<p>A large source of information has been written, spoken, broadcasted about Glenn Gould.<br />
It will not be necessary to put more information about him, as it is already available. And everybody knows that there are controversial opinions about his interpretations.<br />
Let us simply remember Glenn as someone who wanted to change the old patterns of classical music, to bring more life in the masterworks of great composers, to suggest new and original approaches to the score.</p>
<p>Glenn´s personal note was doubtless his conducting the music he was playing (when one of his hands was free, of course) and, last but not least, his permanent humming over the notes, the phrases or the bass-line, whatever he thought it was right to do.</p>
<p>Another personal note was also his polyphonic playing.<br />
He perfectly understood how to study the score, how to read the voices in the context of the composition, how to analyze the structure and finally how to play like a string quartet or even an orchestra.</p>
<p>My personal recommendation to all pianists:<br />
Don´t try to be a second Glenn Gould, the world has already one and he is enough. But you can take him as an example.<br />
You can also decide to continue his purpose.<br />
Be yourself, like Glenn was, and your style will develop in the right direction.<br />
“Thank you Glenn, for showing us what to do, what not to do, how to do it, how not to do it.”</p>
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