Posts Tagged ‘ Bach ’

When a Pianist gets annoyed

Renowned pianist Krystian Zimerman gave a quite unsual performance on Sunday, April 26 in LA at Walt Disney Hall.
I got the news about this particular event through my daily digest on Artsjournal.com (highly recommended! Never miss this amazing information source about music and arts www.artsjournal.com).
Zimerman apparently criticized some US policies overseas and took the opportunity of his performance at Walt Disney Concert Hall to announce this as his last American appearance. Understandable that he got annoyed also because of the troubles he often encountered due to traveling with his own Steinway piano.
But why taking political reasons regarding the country where I have been invited to perform, and use them to affect my performance and let the audience know, that I would never perform again in that country? First a pianist is performing for the people and not for politics, even though people involved into politics also attend classical concerts.
Just by [...]



Basic principles of efficient practicing – I

Did you ever ask yourself whether your piano practicing is in fact efficient? Or have you ever had the feeling that your exercises on the keyboard are just a boring routine you daily repeat while not knowing why you do it?
Remember first: Practicing means exploring every unknown detail of the score you are studying; it is like disclosing the secret of music and discovering the unlimited power of the composers´masterworks.
A good approach to your daily practice should include a Prelude and Fugue from the Well-Tempered Clavier by J.S.Bach. This repertoire represents the absolute fundamental work for a pianist.
Studying meticulously Preludes and mostly Fugues by Bach requires a high concentration, especially when pointing out the plurality of voices (polyphony) relating together through counterpoint. This is the basis of efficient practicing and, in the long term, the perfect construction of high professional piano playing.
After your first approach with Bach, choose a piece [...]



Arturo Benedetti Michelangeli – 1920-1995

Continuing in featuring great pianists among the “Immortals” we want to pay homage to another excellent, unique and inimitable artistic personality: Italian pianist Arturo Benedetti Michelangeli.
What characterized the particular style of playing and interpretation that made Arturo Benedetti Michelangeli so unforgettable?
He was obsessed with technical perfection and totally exact reproduction of the score.
His devotion to the music was incredibly deep, it is known that he spent hours and hours on his practicing sessions.
I had my first impression of Benedetti Michelangeli when I was a student at the music conservatory of my home town Cagliari. My father told me a lot about this pianist, trying to motivate me to practice more like he did.
I first listened to some of his recordings, I remember to be quite impressed about his Brahms-Paganini Variations and Bach-Busoni Chaconne. Later I literally admired his recording of Ravel Piano Concerto G Major and Rachmaninoff Piano Concerto G [...]



Glenn Gould – 1932-1982

This column is dedicated to extraordinary personalities of the piano world. Great pianists of the past, sometimes remembered as “Immortals” or even “Legends” will be featured on this place.
It will be different from other portraits or features about those artists, it will be more like a portrait of pianists who deeply influenced and inspired other musicians and non-musicians.
Thepianist.com starts with Glenn Gould, the eccentric Canadian pianist who certainly set a milestone in the history of the piano and pianists.
A large source of information has been written, spoken, broadcasted about Glenn Gould.
It will not be necessary to put more information about him, as it is already available. And everybody knows that there are controversial opinions about his interpretations.
Let us simply remember Glenn as someone who wanted to change the old patterns of classical music, to bring more life in the masterworks of great composers, to suggest new and original approaches to [...]