He was one of the most inspiring pianists of the twentieth century. His remarkable personality as a unique artist was perfectly reflected in all his compositions. Sergei Rachmaninoff charcterized the last Romantic piano tradition with his charming, lyric and expressive playing and creative interpretations.
A virtuoso technique, rhythmic precision, colorful tone, polyphonic clarity of inner voices, incomparable sense of lyricism, accurate interpretation of different musical styles, force of expression through every detail of a composition: Rachmaninoff was in absolute possession of all these peculiar “instruments” for his performing.
The great charisma of this pianist came through especially when he played his own works. Due to his personal composing style, which was first influenced by Tschaikovsky, he further developed a contrapuntal writing and a distinguished variety in the chromatic harmonic structure, both deriving from Bach and Chopin.
He certainly dedicated a profound study, work and way of musical thinking from those great composers, becoming [...]

A terrific singing piano tone, a sublime technique, always serving the purpose of the musical message, and a perfect seducing interpretation.
Alexander Isaakovic Cherkassky, known as Shura Cherkassky, was one of the leading personalities among the generation of great pianists of the 20th century. He started his early piano education with his mother Lydia. Later on he became pupil of Jozéf Hofmann.
His concert career lasted through his long life, in fact he was actively performing until his death 1995.
What made his approach to the piano that singular?
He was able to focus on the keys with astonishing concentrating power, his interpretations were full of inventive musical atmosphere, he always created inspiring piano recitals for the audience.
Shura never played the same piece the same way. Spontaneity and freshness characterized his playing, the purpose of creating the music in every single moment drove this excellent artist to the highest level of musicianship.
One of the [...]

He was self-critical, self-demanding, objective in front of the music score and devoted to the audience.
Sviatoslav Richter represents one of the utmost exceptional figures in the pianists´history. His teacher, Heinrich Neuhaus, considered him as a “genius pupil”.
Doubtless he belongs to the generation of the greatest pianists in the past century.
His particular dedication to practice, building up his repertoire studying intensively several works of the piano literature, characterized his serious approach to the music.
Sometimes his performances have been criticized as “cold”, without the proper expression of feelings in the music.
But his intention was targeted at an execution of the composer´s work to the letter, he saw himself as an interpreter, being just between the composer´s message and the receiver – the audience.
He didn´t want to “recreate” the work, rather be captured and dissolved in the music.
Richter was enigmatic, a personality outside every normal path of musician. Probably, that´s why he gained [...]

Continuing in featuring great pianists among the “Immortals” we want to pay homage to another excellent, unique and inimitable artistic personality: Italian pianist Arturo Benedetti Michelangeli.
What characterized the particular style of playing and interpretation that made Arturo Benedetti Michelangeli so unforgettable?
He was obsessed with technical perfection and totally exact reproduction of the score.
His devotion to the music was incredibly deep, it is known that he spent hours and hours on his practicing sessions.
I had my first impression of Benedetti Michelangeli when I was a student at the music conservatory of my home town Cagliari. My father told me a lot about this pianist, trying to motivate me to practice more like he did.
I first listened to some of his recordings, I remember to be quite impressed about his Brahms-Paganini Variations and Bach-Busoni Chaconne. Later I literally admired his recording of Ravel Piano Concerto G Major and Rachmaninoff Piano Concerto G [...]

This column is dedicated to extraordinary personalities of the piano world. Great pianists of the past, sometimes remembered as “Immortals” or even “Legends” will be featured on this place.
It will be different from other portraits or features about those artists, it will be more like a portrait of pianists who deeply influenced and inspired other musicians and non-musicians.
Thepianist.com starts with Glenn Gould, the eccentric Canadian pianist who certainly set a milestone in the history of the piano and pianists.
A large source of information has been written, spoken, broadcasted about Glenn Gould.
It will not be necessary to put more information about him, as it is already available. And everybody knows that there are controversial opinions about his interpretations.
Let us simply remember Glenn as someone who wanted to change the old patterns of classical music, to bring more life in the masterworks of great composers, to suggest new and original approaches to [...]